Apple TV
“We had a blast presenting to y'all! Thank you so much for having us! :)”
STATE crewOur video intro that sets up the screening!
The Mastery
Concepting, Design, Animation, Production, Ideation, Copywriting, Mixed Media, Brand Identity, Print, Key Art, UX/UI, CG, 3D, VFX, Live Action, Editorial, Experiential, Social Content, Digital Activations, OOH, Large Formats, Toolkits.
The Work
Graphika Manila
We went bananas for this one! Bringing our love for cel animation, seamless transitions, and handcrafted effects to the forefront, we crafted a pure celebration of motion—bold, dynamic, and unapologetically fun. Inspired by all the colors that make Graphika the best conference in Asia, with a touch of whimsy from pigs, owls, astronauts, beetles, and bunnies, this one moves!
“Bad Dreams turn into something fun! Also, we hung out with Murakami!”
Apple
For our friends at Apple, we crafted 30 heart-shaped idents to build a modular animation library. The result? A toolkit of weekly spots for the Games section of the App Store—each one fresh, fun, and ready to play.
“One Heart = 30 Animations Toolkit”
Yay!Netflix Animation
Every animation studio has its signature opening move. Some use hopping lamps. Others have castles.
We got to help Netflix Animation Studios make something that was all their own.
Muscles & Mayhem
On this one we learned all about crushed knees, broken ribs and torn muscles. And spandex. Oh, and nipple surgery. Traumatizing? Not as much as the real American Gladiators experience back in the ’90s.
We’re thrilled to re-unite with Campfire and directors Jared Hess (Napoleon Dynamite, Nacho Libre) and Tony Vainuku (Untold, In Football We Trust) to create in-story animations and archival recreations for the new Netflix doc series #MusclesandMayhem.
We also designed the main titles, completing a full-spectrum visual package with a POV-driven opening that translates the physicality and spectacle of American Gladiators into a stylized visual language.
“We wanted to get into the details of what happened behind the scenes. It was heartbreaking, hilarious and riveting all wrapped up into one.”
Jared Hess, Director“A legendary show deserves a legendary open title.”
Alex Gorodetzki, Executive ProducerStar Trek
Beam aboard our creative cosmos for Paramount+’s Strange New Worlds! Our team boldly ventured where no designer has gone before, conjuring up an array of diverse worlds that would make even Klingons jealous. Turning our sci-fi dreams into warp-speed reality.
Sphere Cheetos
Our work lit up the biggest canvas on Earth, the Sphere in Las Vegas.
We trapped Chester Cheetos inside that massive dome, and he looked so freaking good that we couldn’t resist… we downed 10 bags of Cheetos before the project even wrapped.
“Chester Cheetos for the win.”
All of us @ State.FIFA Women's World Cup
Awareness spot for the 2015 FIFA Women’s World Cup. The project began with one keyframe and a dream. We laughed, we cried, we made something beautiful together with real paintbrushes and pixels.
Heaven's Gate
Here, we had no time for any jokes. The subject is heavy, and the process of making more than 12 minutes of animation to illustrate one of the most significant mass suicide on earth was pretty intense too.
FX Wrexham
Our latest soccer adventure? Transforming our love for hometown soccer teams into high fueled animations with no red cards! Dragon, sheep, and flames? Oh my.
Netflix Running Point
Set within Running Point, the piece plays as an explanatory interstitial inside the series, bringing Hoopli to life, a streaming app that doesn’t actually exist, but one people keep asking if they can actually download.
FX Legion
For Legion’s final season, we developed mind-bending Nouveau-60’s visuals that would make your burnt-out uncle, Mitch, flashback so hard.
Dave
Hi. We’re STATE. And that’s Lil Dicky. Don’t ya wanna know what we did? “STATE, you a rapper?” Oh hell no. FXX got us illustratin’ like woah-woah.
Season One and Three
Japan Airlines
We dreamed so high that we reached Japan's most beautiful places. We go where our dreams go, across the globe and back.
The campaign visuals were crafted by Yuhki Demers, known for his work on Spider-Man. For Yuhki, this one hit closer to home, a project that made his mom especially proud, maybe even more than Spider-Verse.
Nickelodeon KCA
We partnered with Nickelodeon to build a visual system for the Kids’ Choice Awards fun, fast, and built for live TV chaos.
"The Toolkit" delivered modular backgrounds, icons, text, and slime, ready to mix, match, and render in record time without losing creativity.
“A full on toolkit for all the things.”
We did it!Audible Kevin Hart
Audible asked us to personify Kevin Hart’s Monsters for his new audiobook. We went all in to portray each of these monsters. But the biggest challenge was to keep our chuckles while shooting with Kevin.
Players Main Titles
Created for the Players series, the main title keeps things simple on purpose. Bold color, clean shapes, no extra noise. Everything moves through seamless transitions because hard cuts felt like too much effort.
Unspeakable World
Our message to the world through Alan Watts' voice.
Contact
Alex Gorodetzki
Contact
Pablo Requejo
